Ezra Calloway
Film and Stage Actor
Agent
Priya Lindqvist, Northlight Talent
+1 323 555 0188
priya@northlighttalent.example
Los Angeles, CA
Credits // Film
Salt and EmberPrincipalKestrel Pictures (Dir. Anika Rowe)
The Long FurrowSupportingBlue Gate Films (Dir. Marcus Adeyemi)
Night FerryLeadHarbourlight Studios (Dir. Celia Marsh)
Quiet HoursSupportingNinth Street Media (Dir. Tomas Reyes)
CopperlinePrincipalHollow Creek Prod. (Dir. Dana Whitlock)
WrenVoice-overLantern Animation (Dir. Sung-min Park)
AshgrovePrincipalFable Row Films (Dir. Ines Delacroix)
Credits // Theatre
Fourth Wall Theatre
Atlanta, GA
Resident Company Actor
Sep 2022 – Present
- Lead and featured roles in five main-stage productions a season, including Konstantin in The Seagull and Tom in The Glass Menagerie
- Cover four roles a season and have stepped in at two hours’ notice twice, both times with no cut to the running order
Peachtree Shakespeare Festival
Atlanta, GA
Ensemble Member
May 2020 – Aug 2022
- Three summer seasons of outdoor repertory, playing Mercutio, Sebastian and Edmund across 140 performances
Training
Atlanta Actors Conservatory, Atlanta, GA
Two-Year Conservatory Diploma in Acting, Sep 2018 – Jun 2020
Ridgeway Studio, Atlanta, GA
Certificate in Meisner Technique, Jan 2021 – Jun 2021
Southern Stage Combat Guild, Savannah, GA
Certificate in Stage and Screen Combat, Mar 2023 – May 2023
Voice and Dialect Lab, Atlanta, GA
Workshop in Accents and Dialects, Oct 2024 – Nov 2024
Skills
- Stage combatAdvanced
- ImprovisationExpert
- Singing (baritone)Advanced
- Dancing (jazz, tap)Intermediate
- Horse ridingIntermediate
- Dialects (RP, Southern US)Advanced
Languages
- EnglishNative / Bilingual
- SpanishAdvanced
- ItalianIntermediate
Reel template
Ezra Calloway, Film and Stage Actor
Ezra Calloway is a film and stage actor six years into the work, a resident company member at an Atlanta theatre with seven film credits behind him, sending this resume to casting directors and agencies. Casting reads a performer's resume as a list of credits and the skills a part may call for, so this one puts the agent and the film credits above everything else, keeps the theatre seasons and the training short, and writes a level beside every special skill.
Why this resume works
- The film credits are written one a line as the title, the part and the production with its director, so the layout sets them as three aligned columns and a casting director can scan the parts without reading the titles.
- The agent sits on one labelled line under the profile with the agency, a phone number and an email, because casting books through the agent and should never have to hunt for the contact.
- The theatre years carry the parts by name, Konstantin, Tom, Mercutio, Sebastian and Edmund, and the count of 140 outdoor performances, which says more about stamina than an adjective would.
- Every special skill carries a written level, Advanced for stage combat and Expert for improvisation, and the languages carry theirs the same way, so a stunt coordinator or a dialect coach reads the fit at a glance.
- Training lists the conservatory, the Meisner studio, the combat guild and the dialect lab as separate entries with their years, which is the order a casting brief checks them in.