Special Skills
- Character voices
- Creature vocals
- Live-directed sessions
- Fast-turn auditions
- Home-recording workflow
- Basic editing
- Clean raw
- Light processing
- Narration styles
- Commercial narration
- Explainer narration
- E-learning narration
- Corporate narration
- Audiobook pacing
- Improv
- Cold reading
- Comedic timing
- Script analysis
Leo Tanaka
Voice and Stage Actor
Work History
Voice Actor
Mar 2022 – Present
Moonwell Media, London, UK
- Featured and supporting voices across four audio drama series and two animated shorts
- Deliver clean, edited takes from a treated home studio within twenty-four hours
Ensemble Actor
Sep 2019 – Feb 2022
Regal Stage Players, Bristol, UK
- Lead and co-star roles across six productions, including a forty-show regional tour
Education
BA in Acting
London, UK
Royal Central School of Speech and Drama | Sep 2016 – Jun 2019
Profile
Height: 1.85 m | Hair: Black | Eyes: Brown
Vocal range: Tenor (clear, engaging)
Accents: RP, Estuary, General American, West Country
Union: Equity
Agent
Jessica Marks | Bright Path Talent | +44 20 7946 0110 | jessica.marks@brightpathtalent.example
Theatre Credits
- 2024, The Tragedy of Echo, Aiden (lead), Broadway Arts Theatre
- 2023, Much Ado About Nothing, Benedick (lead), Shakespeare Theatre Company
- 2022, The Warden’s Watch, Nolan (co-star), Regal Stage Players
Voice Credits
- 2025, Dust and Thunder, Rail Boss Ketch (supporting), High Mesa Audio
- 2024, Lullaby City, Transit Announcer (featured), Moonwell Media
Training
- Commercial voice-over technique, Dana Kline Studio, London
- Animation performance lab, Blue Peak Voice Academy, Bristol
Marquee template
Leo Tanaka, Voice and Stage Actor
Leo Tanaka is a voice and stage actor with six years across audio drama, animation and regional theatre, sending this resume to casting directors and agencies. It is written the way casting reads it: profile and agent first, credits by year, and a long list of the specific skills a session may call for.
Why this resume works
- A Profile section gives height, hair, eyes, vocal range, accents and union status as labelled lines, so casting can screen physical and vocal fit in seconds.
- The agent line sits directly under the profile, because a casting director books through the agent and should never have to hunt for it.
- Theatre and voice credits are separate sections listed by year with the role type in brackets, the format casting expects.
- Eighteen special skills run down the side column as plain bullets, from character voices to cold reading, each one a term a session brief might use.